This work is highly contemplative. 

On one side there is the conceptual and rational sphere (the face), 

on the opposite the intuitive and tactile part (the hand). 

The latter seems looking to interpret and weigh the words. 

Like St. Thomas, who did not believe what he couldn't feel with his hands, 

I am not satisfied with the only sense of sight. 

But in this case the hand barely touches the sheet, 

delicate and almost fearful and the sense of movement is given precisely by its touching the page. 

The meanings are multiple, not only visual and tactile. 

Even the physically engraved words have different directions as reality is not one, 

but requires multiple visions to be able to fully grasp it, even if only for a fleeting moment.